Haider

Haider is one of the finest films I have ever watched, and I consider it one of the best adaptations of Hamlet. The decision to set the story in Kashmir during its most volatile period was not only brave but also incredibly effective. It adds a layer of rawness and urgency to the themes of betrayal and revenge, making it both personal and political.

Shahid Kapoor’s performance as Haider is brilliant. His portrayal of grief, confusion, and rage is completely immersive, and the iconic monologue scene still gives me chills. His gradual descent into madness is portrayed with such conviction that it’s impossible to look away. KK Menon as Khurram, the Claudius of this story, is another highlight. He plays the manipulative uncle with such subtle menace that every scene he’s in feels loaded with tension.

The Mousetrap scene, reimagined as the song Bismil Bismil, is easily my favourite part of the film. The choreography, the music, and the storytelling all come together perfectly in this sequence. It’s not just a song; it’s a masterfully crafted narrative device that conveys Haider’s torment and accusation with unmatched intensity. I’ve listened to Bismil countless times—it’s addictive and captures the essence of the film beautifully.

What I love most about Haider is how it pushes boundaries. The boldness of its storytelling—whether in addressing the turmoil in Kashmir or including scenes that are rarely explored in mainstream Indian cinema—sets it apart. It doesn’t shy away from uncomfortable truths, and that honesty is what makes it so impactful.

For me, Haider isn’t just a film; it’s an experience that stays with you. It’s thought-provoking, haunting, and deeply moving. Every time I watch it, I find something new to appreciate. This film represents everything cinema should strive to be: daring, meaningful, and unforgettable.